Clark County Put $10 Million Behind Turning the Old Ice Palace Into a Live Music Venue
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Clark County commissioners voted on Tuesday, September 15, 2026 to set aside $10 million in public money for Insomniac, the company behind Electric Daisy Carnival, to redevelop the former Sahara Event Center at 800 Liberace Avenue. Most people who have lived here a while know that building by a different name. It is the old Ice Palace.
That matters to a very specific group of people first. Homes in the Las Vegas Country Club Estates neighborhood sit roughly 150 feet from the building. Residents from that HOA showed up at the meeting, spoke against the plan, and asked the commission to table the vote. The commission moved forward anyway.
So this story is not really about dance music. It is about what happens to a pocket of unincorporated Clark County near Sahara Avenue and Maryland Parkway when a large empty building becomes an active one again. That means traffic, noise, parking, lighting, and eventually property values. If you own a home anywhere in that area, this is your news.
What Happened at the September 15 Commission Meeting
The Clark County Board of Commissioners voted to earmark $10 million for the redevelopment of the former Sahara Event Center. The recipient is Insomniac, the event company best known locally for putting on Electric Daisy Carnival at the Las Vegas Motor Speedway. The address is 800 Liberace Avenue, inside the Commercial Center District near Sahara Avenue and Maryland Parkway.
Commissioner Tick Segerblom said Insomniac plans to put in roughly $20 million of its own money on top of the county's $10 million. That is a combined figure in the neighborhood of $30 million aimed at renovating a building that has been dark for a long stretch. Segerblom represents that part of the county, and he has been one of the loudest voices for reinvesting in the older commercial corridors inside the valley rather than only chasing growth out at the edges.
The opposition at the meeting was organized and local. Members of the Las Vegas Country Club Estates HOA spoke during public comment. Their core argument was distance. Their homes sit about 150 feet from the venue. That is not a freeway buffer. That is closer than most people park from their own front door at a grocery store. They asked the commission to table the item so the neighborhood could get more information about hours, sound, crowd size, and parking before public money went out the door.
The commission did not table it. The $10 million earmark passed. An earmark is not the same thing as a finished project, and it is worth being precise about that. Setting money aside is a commitment of funding. It is not a building permit, a business license, a special use permit, or a final site plan. Those are separate steps, and several of them come with their own public hearings.
What we do not have yet, at least not publicly, is the fine print. There is no published operating schedule, no stated capacity, no confirmed opening date, and no detailed sound mitigation plan in the reporting on this vote. Those details are exactly what the neighbors asked for, and they are exactly what will determine whether this ends up being a good thing or a hard thing for the people living closest to it. Anything beyond the earmark, the $20 million private figure, and the location is still open.
Why It Matters to Las Vegas Residents
Start with the obvious group. If you own a home in Las Vegas Country Club Estates or anywhere in that pocket between Sahara and Maryland Parkway, a live music venue 150 feet away is a daily life issue, not a news item. Event nights mean cars looking for parking on residential streets. They mean rideshare pickups. They mean people walking back to their cars at midnight. They mean bass carrying through the air in a way that a highway does not.
Noise is the part people underestimate. Steady traffic noise fades into the background for most of us after a few months. Low frequency sound from a music venue does not work the same way. It comes in bursts, it happens at night, and it is the thing that generates the most complaints around venues in every city. That is why the neighbors asked for specifics before the money moved, and it is a fair ask regardless of how you feel about the project itself.
Now the other side, because there is a real one. That stretch of the valley has struggled with vacant and underused commercial buildings for years. An empty event center does nothing for anyone. It does not generate jobs. It does not generate tax revenue. It does not bring foot traffic to the small businesses around it. And a dark building with an empty lot tends to attract the kind of activity that neighbors complain about just as loudly as they complain about noise.
For homeowners a little farther out, say a half mile to a mile, the math usually tilts positive. Being near entertainment and dining is generally a plus for resale, as long as you are not so close that you live inside the event footprint. The people who benefit most are the ones who can walk or drive to it in five minutes but cannot hear it from their patio.
There is also a renter angle. That area has a mix of older apartments, condos, and single family rentals, and it sits near UNLV and the Maryland Parkway corridor. If the venue delivers on activity, rental demand in the immediate area tends to firm up. That is good for landlords and less good for tenants looking for a deal. Both of those things can be true at once.
Then there is the commuter piece. Sahara Avenue and Maryland Parkway are both working streets that plenty of people use to get to work, to school, and to the medical offices in that part of town. Event traffic does not spread evenly across the day. It piles up in a two hour window before a show and empties out in a shorter window after. If the site does not have enough parking on its own property, that overflow lands on the surrounding street grid, and the surrounding street grid here is residential.
Finally, think about what an empty building costs a neighborhood over time. Vacant commercial space drags on the properties around it. Lenders and appraisers notice it. Buyers notice it when they drive the block. A dark building with an empty lot is not neutral. So the real comparison for nearby homeowners is not quiet street versus busy venue. It is dark building versus active building, and both of those come with tradeoffs.
Background and History
The building at 800 Liberace Avenue has had several lives. Locals call it the Ice Palace because of its long history as a skating facility, which is where the nickname comes from and why so many people who grew up here have a memory attached to it. More recently it operated as the Sahara Event Center. Then it sat.
The Commercial Center District itself is one of the older shopping centers in the valley. It has been through decades of turnover, reinvention, and periods of heavy vacancy. It has also proven, more than once, that a building in that district can come back when somebody puts real money into it. That is part of why this address keeps drawing interest instead of demolition proposals.
The broader pattern here is adaptive reuse. Across Clark County over the last several years, the trend has moved toward taking existing structures and giving them new purposes rather than building from scratch on raw land. Land near the center of the valley is expensive and limited. An existing building with an existing footprint and existing parking is, on paper, a faster path than a ground up project. On paper is the key phrase, because these rehabs are frequently more complicated and more expensive than anyone expects.
Insomniac is not a newcomer to Southern Nevada. Electric Daisy Carnival has run at the Las Vegas Motor Speedway for years and draws hundreds of thousands of people to the valley. That is a very different setting, though. The Speedway sits far north of town with nothing residential pressed up against it. A venue inside the valley, with homes 150 feet away, is a fundamentally different operating problem. That gap between the two settings is the heart of the neighbors' concern.
It is also worth understanding why a county would put $10 million into a privately operated venue at all. The argument for it is that the public money buys activity in a corridor that has not been generating much of it, which in turn generates room tax, sales tax, jobs, and spillover business for the shops and restaurants nearby. The argument against it is simpler. Critics of deals like this ask why taxpayers are funding a renovation for a company that runs one of the largest festivals in the country. Both arguments follow deals like this everywhere, and both will come up again as this one moves through the county process.
What Happens Next
Watch for the approval steps that come after the money. An earmark gets the funding in place. The project still has to clear the normal land use process, and that is where the neighborhood gets its real say. Depending on how the use is classified, that can include special use permit hearings, design review, licensing, and conditions attached by the county.
Conditions are the thing to pay attention to. This is where operating hours get capped, where decibel limits get written, where parking counts get set, and where the county can require sound studies or physical sound mitigation. If you live nearby and you only have the energy to follow one part of this process, follow the conditions. They are more binding and more specific than anything said at a podium.
Also watch the timeline. A roughly $30 million renovation of a building that has been closed for years is not a six month job in most cases. Permitting, design, and construction on a project like this typically runs well over a year, and that is when everything goes smoothly. Expect the public conversation to stretch across multiple commission agendas.
One more thing to track. The county set aside $10 million of public money. That usually comes with reporting requirements and milestones. If the private investment does not materialize, or if the project stalls, the question of what happens to the earmark becomes its own news story. It is worth keeping an eye on whether the $20 million private commitment stays firm.
Ryan's Take
I have watched a lot of Las Vegas neighborhoods deal with a big new use showing up next door, and the outcome almost always comes down to the conditions, not the concept. A venue that closes at a reasonable hour, keeps its sound inside the building, and parks its own crowd on its own property is usually a net positive for nearby home values. A venue that spills onto residential streets at two in the morning is a genuine problem, and it shows up in how long homes sit on the market in that pocket.
Here is what I would tell a client who owns a home within a few blocks of Liberace Avenue right now. Do not panic sell off a headline, and do not assume you are automatically getting a value bump either. Nothing has been built yet. What you should do is get involved early, while the conditions are still being written, because that is the only window where a neighborhood actually shapes the outcome. And if you are buying in that area over the next year, ask directly about the venue. A good agent should be telling you about it before you ask.
What You Can Do
If you live in or near Las Vegas Country Club Estates, get on your HOA's communication list and stay on it. The neighbors who spoke at the September 15 meeting were organized, and organized groups get better conditions attached to projects than individuals do. Ask your HOA board to request a formal neighborhood meeting with the applicant before the next round of approvals.
Track the Clark County Board of Commissioners agendas. They are posted publicly ahead of each meeting, and anything related to this address will appear there before it is decided. Public comment is open to residents, and written comment counts too if you cannot make it downtown in the middle of a workday. Commissioner Tick Segerblom represents this area, and his office is the right first call with questions about the earmark and what conditions the county can attach.
If you are a homeowner trying to figure out what this does to your specific property, the honest answer is that it depends on your distance from the building, your street's parking situation, and which direction your yard faces. That is a property by property question, not a neighborhood wide one, and it is worth getting a real answer rather than guessing off a news headline.
One practical step for anybody in the immediate blocks. Write down what your street is like right now. Take a few photos of curbside parking on a normal weeknight. Note how quiet it is at ten at night. That baseline is useful later if you ever need to show the county what changed, and it takes about ten minutes to create. Neighborhoods that keep records tend to get taken more seriously than neighborhoods that show up with impressions.
And if you are house hunting anywhere near Sahara and Maryland Parkway right now, walk the block at night before you write an offer, not just at two in the afternoon on a Saturday. Daytime and nighttime are two different neighborhoods in that part of the valley, and a venue project makes that gap wider, not smaller. That is not a reason to avoid the area. It is a reason to go in with your eyes open.
Have questions about how this affects your home or neighborhood? Reach out to Ryan Rose or text/call 702-747-5921 anytime.
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